Dasein itself – and this means also its Being-in-the-world – gets its ontological understanding of itself in the first instance from those entities which it itself is not but which it encounters ‘within’ its world, and from the Being which they possess.
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In the work of art the truth of an entity has set itself to work. ‘To set’ means here: to bring to a stand. Some particular entity, a pair of peasant shoes, comes in the work to stand in the light of its being. The being of the being comes into the steadiness of its shining. The nature of art would then be this: the truth of being setting itself to work.
